From there on I started exploring around the local scene, networking with some kids and getting to know the local San Jose punx.
I moved back to Israel when I was 16 and when I finished high school up north I moved back to Tel-Aviv city, where I was born.
I got into the band through bartending at a local bar in central Tel-Aviv.
The place’s shtick is a free show every night, so I was exposed to a ton of alternative bands and music.
Rafi, M.E.S.S’s guitar player played a show at the bar with one of his former nonsense bands. At some point of the show I grabbed a microphone and started screaming back up vocals. It was the first time I ever did anything like this – but the vibe was right for it, and the band gladly accepted my spontaneous participation.
After that show Rafi walkd up to me and offered me to lead an old dying band of his – that band was M.E.S.S..
Slowly yet surely, after joining the band I started discovering the local punk and metal scene outside of my work – mainly through collaborations with other bands.
I joined in the band about 2 years ago and quickly after, our drummer Gutzi joined in. After various bass player changes due to Rotem’s leave, Lior joined in. by the time Lior joined in our sound was pretty much set on a much faster and heavier scale, rewriting the songs to fit our liking. Lior’s coming to the band brought in the last piece of the puzzle, helping push the band in an even heavier direction and a long due name change.
After writing for a few months we recorded last April – and now on November 29th were releasing our first album, The Weekend Ritual Massacre.
Dan did an amazing job, emphasizing exactly what we wanted and by that making the album sound straight up like a punch in the face.
Its not exactly the type of album you could defiantly put your finger onto what kind of genre to associate it to – we each have out own influences which we bring onto the writing sessions, from grind core and death metal to hxc and punk rock, this album pretty much has everything, and that’s just what were all about.
Once the album is out were planning on distributing it worldwide, we started networking with various independent distributions in Europe and Asia.
Were also planning on touring this next spring – hopefully in the States.
Since we finished recording our first album we kept working on new material, so you should defiantly expect a second album sometime this year.
Your band is going to appear on a split album with the bands with only female singers, can you tell me more about the project?
The biggest and most wonderful surprise in this project was the fact that we got to appear on the same compilation as Lycanthropy, an amazing Czech grind band that’s fronted by one of the best female vocalists in grind to my opinion.
The best part about being in a band is the commune-based mentality this band has, were pretty socialist and that’s really important to me when it comes to the way we work, create, and run the grownup shit – making decisions weather their about PR, band politics or finance. Were there for each other and that’s part of being in this band for all of us.
Your band played an animal rights benefit show, is it important for you to support these activities and why? Is your band politically conscious?
Most of us are the kind of people who’d go around with a screwdriver looking for shit to fix.
Israel's punk/hc scene seems to be exotic for many kids. What is the israeli scene like? Are there many girls/women actively involved in the scene? I remember this all girl band called Vaadut Kishut, are they still active? Any bands/labels/zines we should definately
Even the animal benefit show you mentioned was terminated halfway by law enforcement – and it was set up in the middle of an old industrial site, far from civilization - so you can imagine how far they had to go to close us up.
Everything is also really frat-based here, there are about 3-4 major Metal and Punk bands here who tend to play shows only with the other majors, so this closes up allot of opportunities for minor bands of the counterculture. There are some exceptions, but this is pretty much the way it is.
I think one of the perks of being part of a small scene is the easy networking, everyone helps everyone and there are constant collaborations between the small bands.
Wonderfully enough, there are allot of females in the scene here - making their mark by writing music, setting up shows and zines and just refusing nonchalance.
For example, Mitaan is a band lead by two amazing female singers who’s lyrics are political and sharp – Make it Rain is another all-girl band that makes great hxc punk music, their demo is coming out soon so you should definately check them out. Hashlooliot (The Puddles) is an Indie-pop group who’s lyrics are both in English and Hebrew and are the only all-girl Indie group around here that’s doing something different, their definately worth listening to – their EP is coming out soon as well..
All of these bands have a MySpace so check them out..
By the time that I was back from the States Vaadat Kishut were unfortunately, old news –Personally, there are some elements in the bands lyrics I tend to disagree with, just like with riot girl music in general – but they made their mark for sure by opening up doors for upcoming females in the punk scene.
Israel is the country with the violent history and political instability. How does this affect people (eventually scene?)
After the Rabin Assassination, a wave of general pessimism pushed the Israeli youth into carelessness.
Since the 90’s there were a few political bands which died off fairly quick or preferred staying active in more liberal areas like Eastern Europe and the Netherlands.
Nowadays there’s a mish-mash of everything, there are a lot of activists who protest through their band’s music alongside with extreme action, both in the city as well as in the territories, but the change in the youths approach to politics is almost obsolete.
What is the most fucked up and best thing about Israel?
Politicians are as corrupt here as they are anywhere, and the media pulls circus tricks learned from the populist world press which provides the just the right ‘Big Brother’ mentality that pushed Israeli society to a state of nonchalance and search for mind numbing escapism.
As a member of a band that’s part of a pretty unpopular genre in the eyes of the Israeli media, Id also say that one of the worst things here are the way the Israeli media tries to sweep the Israeli counterculture under the rug by refusing to help out in pushing it foreword before its absolutely sure it can make money off of the coverage.
For example, a very popular pop-punk band called Useless Id was publicly slaughtered by the press when they were signed to host a teen-focused music show on Israeli TV.
The subject for the article was the bands left-wing political agenda and the member’s refusal for serving in the army for political reasons. The article presented the band as the political antichrist and by that a horrible example for the Israeli youth.
It resulted in the bands dismissal from the show.
The best thing?
I don’t know, probably the food.
Margaret Cho said that the sexism is big like the sky. Do you agree with that? How do you deal with the omnipresent sexism, is that anything that bothers you at all or is that makes you wanna scream your guts out (as you do)?
I was raised by two fairly liberal parents, my father pushed me to explore music created by both men and women, and when I got into Riot Girrl music back in the day, he was the first one to hand me a Nina Hagen album.
My mother is also totally girl power crazed woman – so you could only imagine what a shock society’s world of gender politics was for me when I left home.
I won’t lie when I say most of my lyrics deal with the emotions revolving around the struggle of feeling alone and crazy in a sea of under and over toned sexism.
Even in Tel-Aviv, Israel’s most liberal city, you have to put up with shit everyday.
When I started writing for the band I was working at a tattoo studio as an apprentice, constantly being exposed to the local, more privileged scene – which consisted of allot of vanity and hyper sexuality amongst the girls who’d get inked. Some of them were Suicide Girls. I was familiar with the site back than, but only when I got to know these girls better I started to lose it. I've always been pretty anti-porn so when I found out about this site I felt like I've been hit pretty close to home when even countercultures weren’t safe from female objectification. Being a tattooed music junky, I took the site pretty personally.
Feminazi, for example, is a track of ours that I wrote lyrics to after a violent argument with a friend over the responsibility a Suicide Girl has when taking the leap onto objectifying herself, and thus not only changing her life for the worst, but taking part in the sites influence on societies views on alt girls, and worst off – they choose to set a negative example to teens all around the country.
The argument ended up with my friend spewing the term feminazi at me – which is where the name is from.
What is your normal day looks like?
My nights are either dedicated to band practices, playing shows or playing 90’s quests while digging up new bands to listen to on the web to ease my mind from all the chaos. Im also illustrating album covers and flyers in my spare time, some of my work is on our myspace, everything youll see on our albums cover and booklet is also my work - infused by Gutzies rad graphic skills.
Ok, your 5 all time favourite bands/albums. go!
1.Crass – Penis Envy.
2.Marilyn Manson – Portrait of an American Family.
3.Nina Hagen Band – self titled.
4.Slipknot – Slipknot.
5.Hank Williams III – Straight to hell